Summer’s hottest ticket is an IMAX 70mm screening of The Odyssey.
People have spent hundreds of dollars, undertaken road trips, and even planned pregnancies around the possibility of seeing Christopher Nolan’s latest film in IMAX 70mm. Sure, you may think Odysseus’ (Matt Damon) journey home to Ithaca was hard, but did he ever face the struggle of having the AMC app crash repeatedly while trying to get The Odyssey tickets?
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The intense buzz comes down to a major aspect of The Odyssey‘s marketing push: the many film formats you can see it in. The Odyssey is the first movie to be shot entirely with IMAX film cameras, so Nolan’s preferred way for people to watch the film is IMAX 70mm. With this massive film format, viewers can see The Odyssey at its highest resolution, with the fullest image possible, shot in a square-like 1.43:1 aspect ratio. Other formats, including standard 70mm or 35mm, have smaller aspect ratios. That means they cut off a sizable chunk of the IMAX frame. While the movie will still rock, you’ll lose head room on close-ups, as well as the sheer vastness of the landscapes Nolan and cinematographer Hoyte van Hoytema are capturing.
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