Among the most polarizing of the movies shown at the 2024 Toronto International Film Festival was The End, a two-and-a-half-hour musical about humanity’s last days on Earth.
Far from the show-stopping spectacle of apocalyptic action movies like The Day After Tomorrow or even the razzmatazz of modern American movie musicals like The Greatest Showman, director Joshua Oppenheimer embeds his audience in a bizarre bunker a half-mile underground. There lives a wealthy industrialist family who has turned a blind eye to the dying world above them. That is, until a survivor finds her way to their doorstep. Will her unexpected arrival upset their delicate psychological equilibrium? You bet.
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What follows is certainly not for everyone. Some critics I spoke with at TIFF complained that Oppenheimer’s musical is indulgent in its runtime, ugly in its relentless blue-gray palette, and even infuriating in its plotting. Others see the length, the dismal colors, and that frustrating plot to be precisely the point, and embrace it as such. I am in the latter camp, finding this mournful and fanciful musical utterly captivating, jarringly funny, and savagely profound.
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