For many music fans, 2025 will be remembered as the year Oasis returned. Their long-awaited reunion tour dominated the summer, reviving bucket hats, Britpop nostalgia and generating more than £300 million in ticket sales alone.
Yet beneath the headlines and stadium sell-outs, a far less celebratory story is unfolding across the UK’s live music ecosystem. Just 11 of the 34 grassroots venues that hosted Oasis during their first tour in 1994 are still operating today — a stark illustration of how unevenly success is now distributed across the sector.
While the biggest artists fill arenas and stadiums with ease, small venues and emerging acts are being squeezed by a combination of rising costs, changing consumer behaviour and government policy. Industry figures warn that the pipeline for discovering and developing new talent is at risk of collapse.
Julia Rowan, head of policy and public affairs at PRS for Music, says the UK’s position as a global music powerhouse can no longer be taken for granted. She argues that while live music revenues are growing overall, the benefits are increasingly concentrated at the top end of the market, leaving smaller venues exposed.
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