A Knight of the Seven Kingdoms has broken the mold of what viewers expect from a Westeros-set show. It’s smaller-scale, it’s funnier, and it even sidesteps Game of Thrones and House of the Dragon staples like an elaborate title sequence.
These switch-ups from the Game of Thrones formula extend to the show’s score, which sounds nothing like Ramin Djawadi’s sweeping soundtracks for Game of Thrones and House of the Dragon. Like all the stylistic differences between A Knight of the Seven Kingdoms and its companion shows, these sonic differences are by design.
SEE ALSO:
‘A Knight of the Seven Kingdoms’ Targaryen family tree: How everyone connects
Support authors and subscribe to content
This is premium stuff. Subscribe to read the entire article.
Login if you have purchased
