Before Hamlet, there was Hamnet. He was the young son of William Shakespeare who died in his youth, inspiring the playwright to spin the timeless tragedy of a doomed Danish prince. Hamnet explores that true story through a mystical and matriarchal lens of Maggie O’Farrell’s heralded novel of the same name, adapted by the Academy Award–winning director of Nomadland, Chloé Zhao, and her Academy-nominated actors, Paul Mescal (Aftersun) and Jessie Buckley (The Lost Daughter).
This period drama seems primed to be a contender this award season. But Oscar buzz tends to mold the expectations of dramas — especially those even loosely biographical — into one box: star-stuffed theatrics festooned with tears, a soaring emotional score, and pretty scenes of pain, perfect for an award ceremony sizzle reel. To expect such a thing from Zhao, Mescal, and Buckley would be to ignore what’s brought them acclaim to begin with.
This trio has separately won praise for their nuanced expressions of joy and pain, from Buckley’s star-making as an aspiring singer in Wild Rose to Zhao’s bittersweet character drama Nomadland to Mescal’s heart-wrenching turn as a lost love in All of Us Strangers. In Hamnet, their powers combined make for a drama that is more than a sentimental tearjerker poised for Oscar accolades; it is an earthy and poetic raw tale of love and loss.
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