Christopher Nolan’s The Odyssey draws from the literature of antiquity, but there’s an art history reference in the film that’s relatively more recent. And deeply gory.
In a major moment from Homer’s epic poem, Odysseus (Matt Damon) is heading home from the Trojan War with his men when they stop by an island for food and supplies. It’s here they find themselves trapped in the sheep-filled cave of the mighty Polyphemus (Bill Irwin), a towering cyclops who casually changes up his daily diet of homemade artisanal cheese for a bloody feast of weary Ionian soldiers.
‘The Odyssey’ review: Christopher Nolan turns an epic myth into a movie masterpiece
The Odyssey‘s production design of Polyphemus is terrifying and weird: a colossal, awkward, human-like form with twisted facial features including a solitary, rotated eye. Snatching up Odysseus’ crewmates like popcorn, the cyclops stands for a moment crunching on a newly headless man, his bleeding body limp in the creature’s hand.
Support authors and subscribe to content
This is premium stuff. Subscribe to read the entire article.
