One day, you’re an all-powerful CEO, star wife, and mother, and the next day you’re eating out of your young intern’s hand, quite literally. How is this contradiction possible, if it is a contradiction at all? The answer for both Nicole Kidman’s character in Halina Reijn’s film Babygirl and for many others who identify as BDSM submissives lies in the elusive concept of subspace: a metaphorical space and altered state one submits to during a kink scene, thanks to arousal and exchange of consent.
‘Babygirl’ review: Nicole Kidman to ‘Challengers’: Hold my beer
The notion is very new to Romy Mathis (Kidman, whose performance won her the Volpi Cup for Best Actress at this year’s Venice Film Festival). She’s the sharply dressed big boss with her hair always pinned up, until she meets Samuel (Harris Dickinson): a much younger, cocky, and borderline rude intern wearing a suit twice his size, filling it with ego. Romy finds herself trembling when Samuel controls a stray dog about to jump on her in the street with a mere whistle and a nod. From this seemingly passing interaction, the flows of her desire steer the narrative into the unknown waters of ambivalent wants and surrender, as Romy and Samuel begin an affair based on the exploration of dominance and submission.
“Scene” and its double meaning
Nicole Kidman and Harris Dickinson in “Babygirl.”
Credit: A24
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