A confession: Long before Alien: Romulus, I’ve not been much for Fede Álvarez’s brand of horror.
His reboot of Evil Dead was so grisly that I saw a colleague who deeply loves a good scary movie flee the theater in revulsion. His Texas Chainsaw Massacre was likewise dripping with buckets of blood and viscera, as was his 2016 original thriller Don’t Breathe. It’s not the gore alone that put me off, but more how it heightened a bleakness so intense it might well steal your breath. It seems he revels in seeing his heroes suffer, providing little hope to his audience they’ll find a way out of it. That knocks the fun out of horror for me.
This suffocating grimness soured me on Álvarez’s work. Frankly, I approached his spin on the Alien franchise with dread, even though I’ve relished this freaky franchise’s blend of body horror and alien terror for decades. But I was wrong to doubt him. To his credit — and to producer Ridley Scott’s as well — Álvarez’s signature stomach-churning violence and deeply dark attitude are perfectly suited to Alien: Romulus. Moreover, his style suits the franchise’s haunting message, in which the real villain is not the “perfect organism” that runs amok on remote spacecrafts but the inhuman corporation that exploits human suffering for profits. It’s a capitalism critique that remains as relevant now as it was in 1979, when Scott first took us aboard the Nostromo. Here, Álvarez finds a fitting vessel for his darkest side.
There’s no sign of Ripley in this curious prequel, which is set between Alien and its 1986 sequel Aliens. However, fans of the franchise will relish the return of such harrowing space critters as the facehugger, the chestburster, the queen Xenomorph, and more. Alongside these iconic extraterrestrials is a crackling ensemble cast, comprised of Cailee Spaeny, David Jonsson, Archie Renaux, Isabela Merced, Aileen Wu, and Spike Fearn. But amid fresh faces, new twists, and a standout star, this entry flounders in a desperate frenzy of climactic fan service.
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