‘American Primeval’ review: Can Netflix’s grimy Western mini-series best ‘Yellowstone’?

American Primeval is decently entertaining as an action-drama, though it’s quite fascinating in concept. The Netflix mini-series, created by Mark L. Smith and directed by Peter Berg, features an accomplished ensemble playing mostly familiar archetypes during a pre-Civil War struggle for the American West. However, it saps anything resembling wistfulness from its Hollywood Western roots, complicating its chances of cornering the post-Yellowstone market (alongside the latter’s many spin-offs). What’s left is the husk of a beloved genre, told in stark, chaotic hues seldom seen on-screen.  

The show’s numerous subplots are connected by grisly happenstance, albeit not much else. It’s a violent saga, even though its violence quickly plateaus. This goes for both its physical brutality, as well as the many cruel ideologies in its crosshairs, from white supremacy and religious fundamentalism to a general penchant for war. But that these are so nakedly on display, in a show this unapologetically grim, is a welcome surprise, from a setting and storytelling mode so otherwise steeped in nostalgia. Despite its threads unraveling in haphazard ways, the series is never boring, and never wanting for a good performance.

What is American Primeval about?